Click to watch.
Directed by Whiskey Tongue
DP: Kunitaro Ohi
Producer: Spang TV, Jordan Rodericks
Tennis PLayer: David Meadows
Edited by Matt West
Colorist Matt West
Sound Design Andrew Uvarov
Custom music by Jody Boyd, Red Amp Audio
Why this script/concept? How does it reflect your vision as a commercial director?We love tennis, and we loved the idea of combining comedy elements into a sport/action concept. It was a great way to show how we like energy and motion, but at the same time be focused on performance elements and telling a story. I love spots that tell stories as well as deliver a message. As far as the vision, its all about the story. I am more interested in that than just making people laugh or cry or cheer. If you can do both, then that's the best combination.
What was the casting process like?
We looked for someone who was a regular joe, but you would believe could walk onto a tennis court. He had to be fit, able to actually hit a ball with a racket, and perform while doing the actions. So we went for an actor first with tennis skills being a second requisite. If we just used a tennis player, the struggle of the character wouldn't have worked. We pulled talent from outside of our region, so we had little chance to audition them. I would call them and just strike up a conversation with them after they had seen the script, and really had to choose based on the instinct that the actor could not only pull it off, but also take direction very well.
How did you search for/lock a location?
We had quite a few batting cages in the area, but most were very old or tacky looking. We found one that had the cages up on a hill away from a driving range. It allowed for a nice wide void of space with great stadium lighting as the back drop. This way when you first established the scene it really could be a tennis club or court area.
How did you select your DP, crew?
Kuni is a DP I work with regularly, and he was also looking to do some great night action sports work so he volunteered to help us with the project. The crew was a collection of favors from the normal crew base we work with on a regular basis on other commercial work.
How did shooting go? Any challenges?
Tell us about editing and finishing.
In retrospect, is there anything you would have done differently?
I would have loved to had the budget to do a few high speed shots of the ball actually shattering a stunt racket, but that required more money and fabrication than we had the chance to do. But other than that, it was exactly what we wanted to accomplish on our budget.